As a writer, how do I give you more than just information? How do I break through this real and imagined ethereal wall that separates my mind and your own, here on the tangible page? How do I keep you engaged, oh precious reader? ANSWER: Through making conscious choices while crafting a “LIVING” tale that dares to touch you.

Letters and words are naught but symbols we’re in agreement on, at least within general parameters. Yet language is a living thing that adapts to the times as all else that lives. Language flows from one generation to the next, with each decade of teens and change in technology adding its “two cents.” Language is alive and malleable. It even has the rhythm of Breath and Pulse – and a Reason, when done right. Respect this living Being that you use to write your prose, but do let it be your friend. Put on your 3-D specs, then sit and breathe together. Hang out a little.

The magic of a story comes from the Art of Choice with the language practiced by the teller. There are countless ways to say things. What words will you use? Will you challenge yourself to say more? I think of a Joni Mitchell lyric that was so artful: “I met a woman, she had a mouth like yours, she knew your life, she knew the devil in your deeds.” So much better than “I met your mother.” Artful choices. How will your tale unfold and present itself? Yes, that’s structure. Is your tale so well-built that if you saw it walking down the street you would ask it on a date? Be careful now – writing fiction is Quixotic stuff, the Sorcerers Apprentice. You must both encourage exploration and keep a keen eye out for trouble!

Self-Editing Your Prose

Please, never send a first draft of anything you write to anyone other than a collaborator. Nobody’s that good. (The editor in me needed to get that out of the way. Thanks).

Your second and third drafts might still be about structure, which is absolutely foundational, so do whatever it takes to nail that. But if you’re on the draft where you’re scrutinizing your prose, this is the time to remember the rhythm, the pulse, the life and breath of your story like someone sitting at your table asking you to pass the salt. THAT is your narrator, the real teller of the tale. It might be your protagonist or other character, or perhaps a defined Aspect of your Omniscient orator. (Oh, yes; if God is telling your tale, you should know how it feels to hang out with the god of your making). If all-seeing eyes peer into your characters and read their very thoughts and feelings, and expose their souls, what sort of Omniscient being do you imagine that to be? Are They holy, ephemeral and wise, or disinterested and vengeful? Or do They appreciate the comedic side of human reality; with a big cigar and feet propped on a cloud? 3-D specs, remember. Approach your story as a living, breathing being. Do your sentences and the words you’ve chosen reflect that essence?

When it comes to debuting authors getting their fiction published, the competition is much more than fierce. Learning to become artful in your languaging and word choices is the deep level of self-editing that can turn aspiring writers into published authors. Plus, it’s how all storytellers develop the means to sneak through that “wall” in order to tap readers on the shoulder and nibble their ear.

Now, that didn’t hurt, did it?